Fasten your seat belts as Oscar-winner Nicolas Cage takes you on the most dangerous flight of your life in the smash hit action thriller Con Air now given an exciting extended cut! On an aircraft carrying some of the most notorious criminals of all time the recently paroled Cameron Poe (Cage) is hitching a ride home to his wife and daughter. But he suddenly finds himself embroiled in a mid-air skyjacking masterminded by Cyrus 'The Virus' Grissom (John Malkovich). While Cameron fights to keep these savage convicts from massacring everyone on board as they career towards the famed Las Vegas Strip a Government agent on the ground (John Cusack) battles to keep this overzealous superiors from blowing the plane into oblivion! Amazing stunts and visual effects add heart-pounding suspense to this must-see action hit!
Tolkien explores the formative years of the orphaned author as he finds friendship, love and artistic inspiration among a group of fellow outcasts at school. This takes him into the outbreak of WW1, which threatens to tear their fellowship apart. All of these experiences go on to inspire Tolkien to write his famous Middle Earth novels
"The Damned United" centres around controversial football manager Brian Clough, set in 1974 but flashing back to the 1960s, about the famed manager's ill-fated 44-day reign as coach of Leeds United, then one of the country's most successful teams.
When Alan's radio station, North Norfolk Digital, is taken over by a new media conglomerate, it sets in motion a chain of events which see Alan having to work with the police to defuse a potentially violent siege.
Gangs of London takes audiences on an immersive journey into the hidden heart of the capital. Created by visionary award-winning filmmaker of The Raid film franchise, the series stars a multi-talented ensemble cast including Sope Dirisu, Joe Cole, Colm Meaney, Lucian Msamati and Michelle Farley. Set in the heart of one of the world's most dynamic and multicultural cities, Gangs of London tells the story of a city being torn apart by the turbulent power struggles of the international gangs that control it and the sudden power vacuum that's created when the head of London's most powerful crime family is assassinated. For 20 years, Finn Wallace (Colm Meaney. Star Trek: TNG, Hell on Wheels ) was the most powerful criminal in London. Billions of pounds flowed through his organisation each year. But now he's dead and nobody knows who ordered the hit. With rivals everywhere, it's up to the impulsive Sean Wallace (Joe Cole, Peaky Blinders), with the help of the Dumani family headed by Ed Dumani (Lucian Msamati, Game of Thrones) to take his father's place. If the situation wasn't already dangerous enough, Sean's assumption of power causes ripples in the world of international crime. Perhaps the one man who might be able to help him and be his ally is Elliot Finch (Sope Dirsu, The Halcyon), who up until now, has been one of life's losers, a lowlife chancer with a mysterious interest in the Wallace family. But as the wind of fate blows, Elliot finds himself transported to the inner workings of the largest criminal organisation in London. Directed by Gareth Evans, Corin Hardy & Xavier Gens.
In 2006, Northern Ireland's bloody Troubles had dragged on for decades. Now with the growing threat of a new generation inspired by the 9/11 attacks to escalate the conflict to new levels of destruction, both the Catholic Republican and the Protestant Unionist sides are finally persuaded to seriously explore a peace agreement at UK Prime Minister Tony Blair's urging. Unfortunately, the principle negotiators, firebrand Democratic Unionist Party leader Ian Paisley and Sinn Fein politician Martin McGuinness, are decades-long implacable enemies. However with talks about to start, Paisley has his wedding anniversary that he is determined to attend at home, and McGuinness decides he must accompany his enemy to prevent him from being persuaded to abandon this chance for peace. With the Prime Minister and his MI-5 staff nervously watching from secret cameras, the two foes undertake a journey together in which they bridge the seemingly unbridgeable and change the course of history.
Con Air is proof that the slick, absurdly overblown action formula of Hollywood mega-producers Don Simpson and Jerry Bruckheimer (Top Gun, Days of Thunder, The Rock, Crimson Tide) lives on, even after Simpson's druggy death. (Read Charles Fleming's exposé, High Concept: Don Simpson and the Hollywood Culture of Excess, for more about that). Nicolas Cage, sporting a disconcerting mane of hair, is a wrongly convicted prisoner on a transport plane with a bunch of infamously psychopathic criminals, including head creep Cyrus the Virus (John Malkovich), black militant Diamond Dog (Ving Rhames), and serial killer Garland Greene (Steve Buscemi, making the most of his pallid, rodent-like qualities). Naturally, the convicts take over the plane; meanwhile, on the ground, a US marshal (John Cusack)and a DEA agent (Colm Meaney), try to figure out what to do. As is the postmodern way, the movie displays a self-consciously ironic awareness that its story and characters are really just excuses for a high-tech cinematic thrill ride. Best idea: the filmmakers persuaded the owners of the legendary Sands Hotel in Las Vegas to let them help out with the structure's demolition by crashing their plane into it.--Jim Emerson
Biopic starring James Corden as 'Britain's Got Talent' winner Paul Potts. The film charts Potts' rise to fame, from his humble beginnings as a timid shop assistant to an internationally-renowned opera singer thanks to his success on the 2007 British talent show. Following a string of failed chances, dismissals from his idol Pavarotti and unforeseeable accidents, Paul's determination and talent enabled him to battle through against the odds and achieve his lifelong dream.
"Law Abiding Citizen" is a tense, edge of your seat thriller that will make you question the lengths a good man will go for justice.
The Snapper
Tolkien explores the formative years of the orphaned author as he finds friendship, love and artistic inspiration among a group of fellow outcasts at school. This takes him into the outbreak of WW1, which threatens to tear their fellowship apart. All of these experiences go on to inspire Tolkien to write his famous Middle Earth novels
After Star Wars and the successful big-screen Star Trek adventures, it's perhaps not so surprising that Gene Roddenberry managed to convince purse string-wielding studio heads in the 1980s that a Next Generation would be both possible and profitable. But the political climate had changed considerably since the 1960s, the Cold War had wound down, and we were now living in the Age of Greed. To be successful a second time, Star Trek had to change too. A writer's guide was composed with which to sell and define where the Trek universe was in the 24th Century. The United Federation of Planets was a more appealing ideology to an America keen to see where the Reagan/Gorbachev faceoff was taking them. Starfleet's meritocratic philosophy had always embraced all races and species. Now Earth's utopian history, featuring the abolishment of poverty, was brandished prominently and proudly. The new Enterprise, NCC 1701-D, was no longer a ship of war but an exploration vessel carrying families. The ethical and ethnical flagship also carried a former enemy (the Klingon Worf, played by Michael Dorn), and its Chief Engineer (Geordi LaForge) was blind and black. From every politically correct viewpoint, Paramount executives thought the future looked just swell! Roddenberry's feminism now contrasted a pilot episode featuring ship's Counsellor Troi (Marina Sirtis) in a mini-skirt with her ongoing inner strengths and also those of Dr. Crusher (Gates McFadden) and the short-lived Tasha Yar (Denise Crosby). The arrival of Whoopi Goldberg in season 2 as mystic barkeep Guinan is a great example of the good the original Trek did for racial groups--Goldberg has stated that she was inspired to become an actress in large part through seeing Nichelle Nichols' Uhura. Her credibility as an actress helped enormously alongside the strong central performances of Patrick Stewart (Captain Picard), Jonathan Frakes (First Officer Will Riker), and Brent Spiner (Data) in defining another wholly believable environment once again populated with well-defined characters. Star Trek, it turned out, did not depend for its success on any single group of actors. Like its predecessor in the 1960s, TNG pioneered visual effects on TV, making it an increasingly jaw-dropping show to look at. And thanks also to the enduring success of the original show, phasers, tricorders, communicators and even phase inverters were already familiar to most viewers. But while technology was a useful tool in most crises, it now frequently seemed to be the cause of them too, as the show's writers continually warned about the dangers of over-reliance on technology (the Borg were the ultimate expression of this maxim). The word "technobabble" came to describe a weakness in many TNG scripts, which sacrificed the social and political allegories of the original and relied instead upon invented technological faults and their equally fictitious resolutions to provide drama within the Enterprise's self-contained society. (The holodeck's safety protocol override seemed to be next to the light switch given the number of times crew members were trapped within.) This emphasis on scientific jargon appealed strongly to an audience who were growing up for the first time in the late 1980s with the home computer--and gave rise to the clichéd image of the nerdy Trek fan. Like in the original Trek, it was in the stories themselves that much of the show's success is to be found. That pesky Prime Directive kept moral dilemmas afloat ("Justice"/"Who Watches the Watchers?"/"First Contact"). More "what if" scenarios came out of time-travel episodes ("Cause and Effect"/"Time's Arrow"/"Yesterday's Enterprise"). And there were some episodes that touched on the political world, such as "The Arsenal of Freedom" questioning the supply of arms, "Chain of Command" decrying the torture of political prisoners and "The Defector", which was called "The Cuban Missile Crisis of The Neutral Zone" by its writer. The show ran for more than twice as many episodes as its progenitor and therefore had more time to explore wider ranging issues. But the choice of issues illustrates the change in the social climate that had occurred with the passing of a couple of decades. "Angel One" covered sexism; "The Outcast" was about homosexuality; "Symbiosis"--drug addiction; "The High Ground"--terrorism; "Ethics"--euthanasia; "Darmok"--language barriers; and "Journey's End"--displacement of Indians from their homeland. It would have been unthinkable for the original series to have tackled most of these. TNG could so easily have been a failure, but it wasn't. It survived a writer's strike in its second year, the tragic death of Roddenberry just after Trek's 25th anniversary in 1991, and plenty of competition from would-be rival franchises. Yes, its maintenance of an optimistic future was appealing, but the strong stories and readily identifiable characters ensured the viewers' continuing loyalty. --Paul Tonks
The third Star Trek series is led by Benjamin Sisko commander of the space station Deep Space Nine who discovers the first known stable wormhole a virtual shortcut through space that leads from the Alpha Quadrant to the Gamma Quadrant on the other side of the galaxy. The Gamma Quadrant is governed by the Dominion a group led by the Changelings - an group of shapeshifters which counts DS9 crew member Odo (Rene Auberjonois) among its numbers. The Dominion has become a violent force in the galaxy and Deep Space Nine and its crew has become the only home in upholding the way of life established by the Federation. Episodes Comprise: 1. The Way Of The Warrior - Part 1 2. The Way Of The Warrior - Part 2 3. The Visitor 4. Hippocratic Oath 5. Indiscretion 6. Rejoined 7. Starship Down 8. Little Green Men 9. The Sword Of Kahless 10. Our Man Bashir 11. Homefront 12. Paradise Lost 13. Crossfire 14. Return To Grace 15. The Sons Of Mogh 16. Bar Association 17. Accession 18. Rules Of Engagement 19. Hard Time 20. Shattered Mirror 21. The Muse 22. For The Cause 23. To The Death 24. The Quickening 25. Body Parts 26. Broken Link
The third Star Trek series is led by Benjamin Sisko commander of the space station Deep Space Nine who discovers the first known stable wormhole a virtual shortcut through space that leads from the Alpha Quadrant to the Gamma Quadrant on the other side of the galaxy. The Gamma Quadrant is governed by the Dominion a group led by the Changelings - an group of shapeshifters which counts DS9 crew member Odo (Rene Auberjonois) among its numbers. The Dominion has become a violent force in the galaxy and Deep Space Nine and its crew has become the only home in upholding the way of life established by the Federation. Episodes Comprise: 1. The Homecoming 2. The Circle 3. The Siege 4. Invasive Procedures 5. Cardassians 6. Melora 7. Rules Of Acquisition 8. Necessary Evil 9. Second Sight 10. Sanctuary 11. Rivals 12. The Alternate 13. Armageddon Game 14. Whispers 15. Paradise 16. Shadowplay 17. Playing God 18. Profit And Loss 19. Blood Oath 20. The Maquis - Part 1 21. The Maquis - Part 2 22. The Wire 23. Crossover 24. The Collaborator 25. Tribunal 26. The Jem'Hadar
All nine episodes from the British crime drama which follows the son of an influential organised crime boss who must take his place when he his murdered. After the seemingly untouchable Finn Wallace (Colm Meaney) is assassinated, his son Sean (Joe Cole) wastes no time in attempting to seek out his father's killer and takes over his empire. However, despite his ambitions Sean is soon sucked into the endless power struggle between London's gangs and must assess which of those closest to him he can truly trust. The cast also includes Michelle Fairley, Valene Kane and Sope Dirisu.
A businessman rents a cottage on the enchanted Emerald Isle which is occupied by a family of leprechauns.
When a misguided young couple break up, their decision initiates a series of cataclysmic events affecting everyone around them in this urban love story about people adrift in their search of some kind of love.
Biopic starring James Corden as 'Britain's Got Talent' winner Paul Potts. The film charts Potts' rise to fame, from his humble beginnings as a timid shop assistant to an internationally-renowned opera singer thanks to his success on the 2007 British talent show. Following a string of failed chances, dismissals from his idol Pavarotti and unforeseeable accidents, Paul's determination and talent enabled him to battle through against the odds and achieve his lifelong dream.
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